I've waxed poetic about the music of Iron & Wine before (
here and
here) and cannot keep from doing so once again. Let's start at the beginning. As of this past Saturday it had been nearly six years since I saw Iron & Wine last. My heart was in serious need of another live performance from Sam Beam and crew. I pretty much jumped for joy earlier this year when the new tour dates were announced and a venue close to home was on the list. With my ticket purchased and excited beyond belief, I awaited the third Saturday in April. And finally it came.
As my sister and I made the drive out to the Massachusetts Museum of Contemporary Art for the show, we wondered if there would be an opening act. I couldn't remember reading anything that would satisfy our curiosity (but, then again I might have been so bent on seeing Iron & Wine that I didn't pay attention). We secretly hoped there wouldn't be so as to give Iron & Wine complete control of the evening. However, upon reaching the theater at the museum we found out The Low Anthem would be opening. Excellent! I'd been meaning to sit down and give them a listen for quite some time now; certain that from what I'd read about them their sound would be right up my alley. I couldn't have been more right. Their songs were beautiful - teeming with emotion, imagery, and folk-tastic rhythms. During the last song of their set they implored the audience to take part; asking each person to take out their cell phone, call the person they came with and then put the phones on speaker. The result was a haunting, resonating hum. I'd never heard anything like it! To say it was beautiful would be a severe understatement.
Iron & Wine. Oh, Iron & Wine. It's true that as the band progressed I didn't progress right along with them at first. When
The Shepherd's Dog was released in 2007 I had a hard time warming up to all of the tracks. I was longing for the stripped down, minimalist-acoustic sound of the previously released albums and EPs. With time, I began to appreciate the added layers of instrumentation realizing that the gorgeously crafted lyrics were still there and that the new sound and Sam Beam's voice complimented each other brilliantly. With the release of
Kiss Each Other Clean this past January, it only took a listen or two before I was hooked.
Saturday's show featured a varied selection of songs from each of the last two albums (mentioned above) with the most delightful inclusion of older songs as well. I was completely blown away hearing some of my very dear (and older) favorites updated and performed with percussion and horn arrangements. By the time the 18-song set came to a close my heart was filled to the brim. My sister and I cheered and clapped with the crowd anxious for an encore... and received it. Beam came back out for an a cappella rendition of "Flightless Bird, American Mouth." It was truly the most perfect ending to an already perfect evening.

Here's a little glimpse of the stage from where we stood. I left my camera at home, but my sister pulled out her iPhone for a few photos.
Set list:
1. Boy With a Coin
2. Sunset Soon Forgotten
3. Freedom Hangs Like Heaven
4. Summer In Savannah
5. Wolves (Song of the Shepherd's Dog)
6. Walking Far From Home
7. My Lady's House
8. Big Burned Hand
9. Half Moon
10. Lovesong of the Buzzard
11. Free Until They Cut Me Down
12. Lion's Mane
13. House By the Sea
14. Love And Some Verses
15. The Sea And The Rhythm
16. God Made The Automobile
17. Tree By The River
18. Rabbit Will Run
Encore: Flightless Bird, American Mouth